Leroy’s review was reportedly titled “ The Exhibition of the Impressionists”, the word he used from Monet’s painting Impression, Sunrise (1872). The term “Impressionism” was given to the group of independent artists when Louis Leroy wrote a review about the exhibition in the Le Charivari magazine, which was primarily satirical and comical. This was also one of the first, and independent, groups of artists who revolted against the traditional standards from the French Academy and the Salon, which was the primary exhibition event held each year in Paris, sometimes biannually. Some of the artists from this group were Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, Edgar Degas, Alfred Sisley, Paul Cézanne, and many others. It all started with an Impression, Sunrise (1872), a painting that Monet exhibited in 1874 at the first exhibition of the anonymous group of artists called Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs, in English it means “Cooperative and Anonymous Association of Painters, Sculptors, and Engravers”. This occurred in Paris during the late 1800s when the perception and development of art took a turn, a turn away from the French Academy and its Academic painting styles. National Gallery of Art, Washington DC, United StatesĬontextual Analysis: A Brief Socio-Historical Overviewīefore we look at Monet’s Woman with a Parasol painting it will help to back a few years and look at the circumstances that shaped not only Monet’s artwork but many other painters who identified as Impressionists. We will then discuss a formal Woman with a Parasol analysis taking a closer look at Monet’s subject matter and stylistic approaches in terms of color, brush strokes, and other formal elements. Below, we will start with a brief contextual analysis of the social and artistic influences that surrounded Monet at the time he painted. This article will discuss one example from Monet’s many paintings, namely Woman with a Parasol (1875), which is also titled Madame Monet and Her Son or The Stroll. He captured a fleeting moment with his paintbrush and created a canvas filled with color that translated into a light show. Now imagine the two combined, which is a subject we see throughout the myriad of Impressionism artworks – one artist who coupled this well was Claude Monet. The great outdoors has always been a subject of painting for artists, just as much as people have been. Woman With a Parasol (1875) by Claude Monet in Context Water Lilies (1906) by Claude Monet Claude Monet, Public domain, via Wikimedia Commons It was also in Giverny where he started producing his famed series of paintings, Water Lilies, of which he produced over 200 paintings he was deeply inspired by his Japanese water garden and the various water lilies and plants that grew there. Monet lived in Giverny during the later years of his life with his second wife and children. These included Eugène Boudin and Jonah Barthold Jongkind, as well as many of the Impressionist artists who Monet knew through the group he started called the “Anonymous Society of Painters, Sculptors, and Engravers”. Portrait of Claude Monet in 1899 Nadar, Public domain, via Wikimedia Commons Throughout Monet’s artistic career he had numerous notable acquaintances and mentors who helped him home in on his skills. He also studied art at the Charles Gleyre studio. During 18 he was part of the Chasseurs d’Afrique military service. He studied art at College du Havre during 1851 and then during 1858 he started studies at Académie Suisse. He was artistic since he was a young boy and earned money by selling some of his art. The Parisian, Oscar Claude Monet was born on November 14, 1840.
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